Last modified: 2020-05-03 by rob raeside
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Trajan's Column in Rome keeps a faithful record of the Dacian military symbols.
The Dacians had both flags (vexillum)
and standards (signum).
Alex Danes, 22 September 2008
The Dacians had their vexillum very similar to the Roman ones:
a square cloth with fringes hanged at the end of a spear. The emblem on the cloth was a snake.
Alex Danes, 22 September 2008
by Alex Danes, 22 September 2008
The standards of Dacia are usually known under the name of "Dacian Draco",
because they combine a dragon's tail with a wolf's head. The head was made either of silver
or bronze, and had its mouth opened, showing the teeth and tongue. The particular shape of the mouth
generated a powerful whistle when the wind passed through it. The tail was made of several
cloth tubes, sewn one to another, and streamers. Because this standard was supposed to scare the enemy when
rapidly floating in the air, I believe the tail was dyed in vibrating nuances, like red or orange.
The standard was carried on top of a wooden rod, usually thrust around the neck.
The only Dacian Draco head that survives today was discovered in Germany.
On Trajan's Column there are 20 standards of this kind, many of them different. One of them shows a dog head
rather than a wolf; other has a serpentine/pike head instead and scalloped rings attached to the tail.
A detailed article about the Draco standard can be found
here.
After the Romans conquered Dacia, the military units composed by inhabitants of Dacia kept their standard as personal
signum. Lucius Flavius Arrianus, commander of the Roman legions on the frontier with Armenia, described
the Dacian Dracos used by Ala I Ulpia Dacorum in his work Tactica (136 A.D.), where he calls the Dacians
"Scythians":
"The Roman riders are advancing with different insignia, not only Roman but also Scythian, so that their incursions look more varied and more scary. The Scythian insignia represent some dragons, proportional in size with the rod they are attached to. They are made of pieces of cloth of various colors, sewn together. These dragons have their head and entire body resembling the snakes. This strategy was invented so that the dragons would appear as terrifying as possible. When the horses stand in place, one can't see anything more than pieces of cloth of various colors that lies down. But when the horses run, these dragons inflate themselves with air, bearing a great resemblance with the beasts and whistling strongly, because the air runs powerfully trough them. These insignia aren't just pleasant to the eyes, but are useful in distinguishing the attackers during the battle and helping the riders not to get into a tangle."A historical theory says that the dragon on the flag of Wales is a heritage of the Dacian Draco, brought in Britannia by Cohors I Aelia Dacorum during the reign of the Roman emperor Hadrian (117-138 A.D.).
by Alex Danes, 22 September 2008
Assigning two rampant lions Or, affronts, as coat of arms of Dacia was a medieval tradition widespread all across Europe.
The earliest use that survives today was in the coat of arms of prince Michael the Brave who, in 1600,
managed to unite all the principalities that were on the ancient territory of the Dacian kingdom: Wallachia,
Moldavia and Transylvania. His new seal from 1600 depicted the coat of arms of all these provinces: the black eagle,
the aurochs head and seven hills respectively. Over the hills there were two rampant lions affrontee, supporting the
trunk of a tree, as a symbol of the reunited Dacian kingdom.
Alex Danes, 22 September 2008
by Alex Danes, 22 September 2008
In his Book of the founding of the country of the Moldavian people (1685), the Moldavian chronicler Nicolae Costin wrote about the coat of arms of Dacia:
"The sign or seal of Dacia were two lions [raised] one against each other, with mouths opened, and above the lions a crown, as, for clearing up, it was drawn here."The manuscript contains the coat of arms depicted above: two rampant lions affronts, crowned, inside an octagonal decorated frame.
image by Alex Danes, 22 September 2008
The Croatian herald Paul Ritter Vitezović included in his Stemmatographia (1701)
the coat of arms of Dacia: a shield Gules, with a pyramid Argent, peak towards chef, supported by two rampant lions Or,
affronts. Explaining the charges of this coat of arms, Vitezović stated that "in the old days,
when Dacia was rich and had its own heroes, lions were climbing up the mountains". The pyramid symbolise
"a distinct perfection and the acme of glory" and, on the whole, this coat of arms shows "the virtues
that ruled Dacia until Decebal's reign". The same coat of arms occurred in Hristofor
Žefarović translation
of Stemmatographia in Serb language (1741). At the beginning of the XIXth century, Pavel Josef Šafařik
mentioned again the Dacian blazon: "Dacia is the country divided today between Wallachia, Transylvania and
Moldavia; its old blazon showed two lions affronts on a Gules field, between them there is a triangle with its vertex
towards the chef, half Argent, half Gules".
The two rampant lions Or, as symbols of Dacia, were used as supporters in the coats of arms of Romania from
1872 and 1921.
image by Tomislav Todorovic, 17 April 2020
In the original printed version of Stemmatographia by Vitezović [1],
as well as the translation by Žefarović [2], heraldic tinctures were denoted by
hatching. In case of the arms of Dacia, this was not applied completely
correctly: the pyramid Argent, instead of being left all blank, has had the
sinister half hatched with the lines being slanted less than those used for the
tincture Vert, still visibly not vertical, which would stand for Gules. In both
versions of the book, the descriptions of the arms [2, 3] state that the pyramid
is Argent, so this incorrect hatching was meant only to represent the shadow
which a lighting source might cast upon the pyramid if it appeared on a real
shield; such illusions of third dimension are sometimes created by heraldic
artists by using different shades of paint representing a tincture, in a way not
unlike the diapering [4].
Copies of Stemmatographia exist where
the pictures of arms were subsequently painted over the hatching. In some of
them, the pyramid was left all white, regardless of the "hatching" [5]. However,
it is possible that there were also the copies in which the painters mistook the
"shadow" for a real hatching and painted sinister half of the pyramid into red,
not bothering to check the description in latter part of the book. The blazon
mentioned by Šafařik must have been based on such a copy or another derived
source.
My image of the coat of arms with the "shadow" presented as a very light gray
was derived from the image above by Alex Danes where the "shadow" was painted in
color used to represent the tincture Argent according to recommendations by the
International Association of Amateur Heralds while the part
"under the light" was left white. Note that this is not a replacement for
Alex' image, which relates to the blazon by Šafarik, but a separate
contribution - an illustration of the correct blazon.
Sources:
[1]
/Stemmatographia/ by Vitezović at Wikipedia - Picture of the arms of Dacia:
https://commons.wikimedia.org/w/index.php?title=File:Pavao_Ritter_Vitezovic_-_Stemmatographia.pdf&page=26
[2] PLEMENITO - Digital Archive: /Stemmatographia/ by Žefarović (p.45/111 - Picture of the arms of Dacia; p. 94/111 - Description of the arms of
Dacia):
http://www.plemenito.com/en/stemmatographia-%E2%80%93-engraved-book-of-hristofor-%C5%BEefarovi%C4%87-and-thomas-mossmer--/d47
[3] /Stemmatographia/ by Vitezović at Wikipedia - Description of the arms
of Dacia:
https://commons.wikimedia.org/w/index.php?title=File:Pavao_Ritter_Vitezovic_-_Stemmatographia.pdf&page=74
[4] Oliver, Stefan: An Introduction to Heraldry, p. 54 Edison, NJ
08837, USA: Chartwell Books, Inc., 2000 (c) 1997 Quantum Books Ltd ISBN
0-7858-1248-2
[5] PLEMENITO - Digital Archive: /Stemmatographia/ by
Vitezović, with subsequently painted pictures (p. 22/80 - Picture of the arms
of Dacia, p. 70/80 - Description of the arms of Dacia):
http://www.plemenito.com/sr/stematografija-pavla-ritera-vitezovica-/d46
Tomislav Todorovic, 17 April 2020